How to Draw a Mare and Foal TUTORIAL

How to draw a horse

how to draw a horse - Someone drawing a horse.
(Image credit: Drawing & Painting - The Virtual Instructor)

Accept you e'er wanted to know how to draw a horse? Well, you've come up to the right place! We know that learning how to depict animals is no like shooting fish in a barrel feat, only in this handy pace-by-step guide, nosotros will teach you how to draw a horse and help yous to perfect your technique.

We have gathered all the tips, techniques, and tutorials to assistance you draw a equus caballus and to nail those choosy bits, like the legs, spine and head. Simply lookout the video below to become a detailed overview of how to draw a horse, and and then scroll down when y'all're ready to read a step-by-step to master those finer details.

If yous master how to draw a horse and fancy trying your skills with another drawings, so check out our extensive drove of how to describe tutorials to larn how to describe everything from animals, humans, landscapes and flowers.

How to draw a horse: Step by step guide

If you can go your head effectually the anatomy of a equus caballus, and then drawing one volition be far easier for you. Understanding the mechanics of a horse will allow you to create a more accurate and realistic drawing of a horse, which is why we are starting our step-by-step by exploring a horse's skeleton.

01. How to describe a horse's legs

(Epitome: © Bobby Chiu)

Despite popular belief, a equus caballus's knees are in fact non backwards-facing — they're just not as obvious as united states humans. The same goes for a horse's shoulders, they aren't equally singled-out and are actually more front-facing.

A horse's hoof is very structurally similar to a human's middle finger or toe. Your process of drawing a horse volition brand a lot more sense when you understand these fundamental points.

02. How to describe a horse spine

(Image: © Bobby Chiu)

The curve of a horse's back is not made by a curved spine. In fact, the spine is quite straight – the curves you see are the spinous processes, which are projections on each vertebra that muscles connect to. To a higher place the shoulders, the spine runs closer to the centre of the neck than the back. Past knowing where a horse's neck bends from, you lot volition be able to draw a horse's neck meliorate in different positions.

03. Empathise the main skeleton

(Image: © Bobby Chiu)

A horse's rib cage has a similar shape to a human being's, but retrieve ribs don't extend to the bottom of the belly. As well, musculus, fat and skin tin can make the rib muzzle wait bigger than information technology actually is.

What about a horse'southward caput? Well, a horse'south skull is triangular, with a large jaw that has a wide area for muscles to attach to. Meanwhile, a horse'southward pelvis is flatter than a human'south considering a horse doesn't stand up upright, then its pelvis doesn't bear weight.

04. Draw the main shapes of a horse

(Image: © Bobby Chiu)

We're now gear up to put pen to paper and draw a horse. Start with the front half of the torso, which is kind of bean-shaped. Then we take the front and back sides of the horse, which feel similar padding around the edible bean.

The neck has to be thick because of the muscles required to hold the head up. For the horse's head, we can follow what we did previously with the skull and add some big muscle shapes towards the back of the jaw.

05. Create a loose gesture cartoon

(Image: © Bobby Chiu)

Now that we empathize the most important parts of a horse and have the basic shapes down, we can create a loose sketch. Information technology's nearly like a cave cartoon, only you can see indications of the directions of the legs, the angle of the pelvis, the rib cage and midsection.

The caput and neck are strongly indicated and the position of the tail shows that the equus caballus is in move. The gesture sketch communicates the most vital information about your subject.

06. Focus on sketch linguistic communication

(Image: © Bobby Chiu)

Sketch linguistic communication lets united states have visual notes so that we can finer finish our work later. In this case, nosotros want to indicate landmarks where the horse's bones influence the pare surface the most, such as at the joints. This is where the indications of bones are clearest and lead into the muscular areas. We can utilize these indications to propose the directions of the bones too.

07. Redraw the horse in detail

(Prototype: © Bobby Chiu)

Accurate landmarks in the horse sketch brand this job much easier. Look at every simplified line and run across how more anatomical information can exist added. Use straight lines for muscles that are stretched or taut with tension, and curved lines for parts that are softer or existence compressed.

Add subtleties to the muscles and detail to the horse's features, to make the beefcake easier to read. While you're doing this, take care to maintain the essence of the original sketch.

08. Expect at the subtle angles of your horse

(Image: © Bobby Chiu)

Perfect profile or head-on drawings tin can experience graphic and staged. Think nearly subtle angles: for example, the horse's eyes and the position of its head could be almost in profile, with a hint of the other heart is visible to add more than life. It's also important that the positions of the front and dorsum pairs of legs are subtly different from one another – making them identical makes the horse look very robotic.

09. Think about line weight

(Image: © Bobby Chiu)

Line weight can communicate many things. We can use it to emphasise the size of the horse'south trunk. Line weight tin can besides dissever one element from the other, like in the front legs. Areas where bones are indicated are harder, which gives them sharper shadows, which tin be represented with stronger line weight. For more subtle lines such as muscle definition, depict a few sparse lines next to bespeak a softer line.

ten. Add context with secondary action

(Image: © Bobby Chiu)

The final pace in how to draw a horse is to add secondary actions, such as the mane and tail hair bravado in the air current. These elements add dynamics to our drawings, and are vital for showing motility in action scenes.

When showing secondary activity, retrieve to consider line weight and where shadows will fall. Secondary action can too refer to external elements that are affected past the horse, similar a cloud of grit that the horse kicks up every bit information technology gallops.

Related articles:

  • How to describe a face up
  • How to draw a true cat
  • The best pencils for colouring, cartoon and sketching

Bobby Chiu has been a professional artist for over 20 years, and is the founder and creative director at Imaginism Studios located in Toronto. He specializes in concept fine art and character pattern, and also teaches on Schoolism.com.

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How to Draw a Mare and Foal TUTORIAL

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