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How to Draw Glow Effect on Paper TUTORIAL

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Intro
Sketch
Crude Color
Lighting Terminal
Sketching in Lite
Painting Light
Detailing
Special Effects
Conclusion

1. Intro

In this tutorial, I'll be walking you lot through how to create a magical portrait, starting from the limerick to the lighting, so adding spellbinding furnishings to your portrait. The main focus will be on tips and tricks to make your portrait fantastical and eye-communicable.

For this tutorial, I'm using Clip Studio Paint, a versatile software for illustration, comics, and blitheness.

2. Sketch

To start, I went with a horizontal limerick, generally because it'southward easier to evidence for a video. Since a horizontal composition emphasizes horizontal lines, in this case, I decided to brand the hair one of my main focal points and stretch it out to fill the canvas. I so settled on a symmetrical composition to give a sense of stability, peace, and repose. For many people, 2020 has been a tough yr and wanted to do something uplifting. All of the curved shapes also assist emphasize tranquility and harmony. The option of flowy article of clothing and organically-shaped accessories as well support this idea. Since all of these agree, information technology amplifies the intended upshot of the composition. I would not add straight lines to a painting like this unless there was a good reason for it.

3. Rough Color

Sometimes I experiment with several color schemes, but I already knew roughly what I wanted for this painting. The precious stone in the center volition be some sort of opal or iridescent quartz, a lot of lite blues and pinks.

Since I'yard centering the grapheme around this crystal, a dark nighttime-themed groundwork will accommodate it well. The groundwork is a natural night color to support the feeling of tranquility. A different color could be interesting but would draw more than attention to the groundwork, which is not what I want in this case.

Because this question comes upward a lot, I pretty much only use these brushes for the whole painting unless otherwise specified!

4. Lighting Terminal

It's not ever necessary, only if I'm working on something in an organized style with a particular idea in listen (instead of experimenting as I go), it's a pretty proficient idea to separate as much equally possible while nonetheless respecting the original idea. Painting the low-cal separately lets me focus on but the lighting, experiment with it, and make mistakes in a piece where the lighting is extremely of import.

Well-nigh of the details at this level are rendered out with a soft frontal light. I keep all the values quite depression because the higher values are reserved for the glow. In the color wheel, this is the lower-left expanse of the triangle.

There will be another detail laissez passer at the end. For this pass, the important thing is to have a clean base of operations to work from.

I use a webcam selfie equally a reference for the hands. I've used this method for a long, long time, and it has never failed me. It is very reliable and a lot less embarrassing than request a friend.

5. Sketching in Calorie-free

I roughly sketch in the desired lighting using an Add together Glow layer.

Y'all can experiment with which layer to use specifically (betwixt add and dodge), but I thought this worked all-time for this piece. Here's an example of how these can look quite different on the hands, nevertheless still all take the effect of making something look like information technology is glowing.

This step is completed on separate layers and very chop-chop, and once it's washed, the piece starts to come together. If I zoom out and squint, the image is really eye-communicable. For a magical portrait, it's essential to have things glow for admittedly no reason at all. In this piece, I'chiliad defining the glow every bit the precious stone and the under part of the pilus. This has the benefit of highlighting the magical floating pilus, the similarly floating jewel, the confront, and the easily. I apply the lighting to emphasize parts of the image that I would most like the viewer to capeesh.

vi. Painting Lite

Subsequently sketching in low-cal, the side by side footstep is to clean it upwards and make information technology fit the existing image. Sadly, this takes style longer than simply sketching in the calorie-free, but for a painting to expect polished, information technology's an of import step. The cardinal to making something glow is a mixture of hard and soft light. The actual office that glows needs to be very, very bright.

The apartment-lighting epitome from the previous step has less contrast, and all the color values are in the lower half – in other words, they are closer to black than they are to white. I reserve the college range for the glowing elements. This makes upward the hard office of the glow. The soft part is only taking these glowing light sources and diffusing them into the surroundings. The simplest manner is to airbrush everything, but the role that will take the image to the adjacent level is when we pay attention to materials where light is partially blocked, like article of clothing, pilus, and skin.

The color I utilise to paint in the Add (or Dodge) layer is in the lower half of the color wheel value. Why? Well, the Add layer mode adds the value of that layer to all the layers underneath. My layers underneath have values upwardly to 0.5, and if my Add together layer is 0.5, then I cease up with values upwardly to 1. ane is the brightest you can become in an image – if your values exceed i, it ends up being over-exposed, a very mutual mistake. One time an image is over-exposed, information technology starts to lose detail that y'all would take to paint back in later, but it is easy to adjust an under-exposed image's brightness.

Hither's an example of what it looks like if yous pigment in the Add/Dodge layer with also bright a color. You can encounter a lot of the expanse turns pure white, losing all item that was in that location before.

We all know that if you hold up your manus to the sun, it looks super reddish. Similar phenomena happen with hair and light material. I won't get also technical here, but looking at references for these phenomena and incorporating them into your painting tin can take an paradigm from good to great. Here I add some ruddy subsurface handful to the manus.

The lighting needs to be articulate when y'all're zoomed out at this stage, but the details will be fixed later on. Information technology's important to consider how the extremely brilliant light affects the rest of the scene. The skin volition be lit, the metal, cloth. Additionally, the light in the hair spreads out through the balance of the hair likewise. Alongside light, information technology may be necessary to add some additional shadow based on these new light sources. I use an overlay layer to shade places where I don't think these lights affect as much, adding contrast to the overall image.

7. Detailing

I use the Droplet airbrush to add some stars in the background.

For the face, I zoomed in and brushed on some sparkle with a different airbrush. I go on to paint on Glow Dodge or Add (Glow) layers to add more potent light to the face. One time I'k satisfied, I repeat a similar process for the body and a little on the clothing.

At this point, I also take some time to clean up some details, such as lines and colors that aren't where they should exist. There's not much to explain here. Information technology's mostly something that comes from experience. The details make the painting more pleasant to look at over a long period of time.

eight. Special Effects

At this indicate, the image is by and large washed – we just need to add the finishing touches.

I used this brush ( https://assets.prune-studio.com/en-us/detail?id=1752622 ) from Clip Studio Assets; information technology has a rainbow blueprint with an iridescent expect. I utilize the radial blur to make the upshot expect like information technology's coming more from the middle of the image and set the layer blending style to Color Dodge to make it wait like it'due south glowing.

9. Conclusion

Thank yous for reading! I promise this tutorial gave y'all some ideas on how to make your side by side painting extra magical.

Grace Zhu

https://gracezhuart.com

https://twitter.com/gracezhuart

https://www.artstation.com/gracezhu

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